Composer and cultural manager, Nino Díaz builds his personal and intellectual universe from a deep sensitivity, with the still intact gaze of a child who has never ceased to be amazed. That same gaze allows him to see what many overlook: the almost invisible nuances, the smallest gestures, the beauty hidden in what is broken, worn out, in what time has touched mercilessly.

A perfectionist to the point of restlessness, Nino has not known happiness as a destination, but rather as a constant pursuit, a horizon that moves every time he approaches it. For him, creation is a search, a struggle, a way of inhabiting the world through detail.

His fascination with decay—the cracks in a wall, the wear and tear on a surface, the echo of the past in objects—is also reflected in his music: a deeply eclectic language, in which traditional music, baroque, jazz, and other forms of expression converge, always filtered through his own sense of aesthetics and time.

Although his life is devoted to music, Nino finds in drawing and photography two natural extensions of his sensitivity. Everything in his work, whether auditory or visual, points in the same direction: capturing what fades away, leaving a record of what is fragile, translating into art what others do not stop to look at.

More than a creator, Nino Díaz is an archaeologist of emotions, an observer of the invisible, a builder of sonic ruins in which, paradoxically, truth takes refuge.